Michael Clark began his training at the Royal Ballet School,
reaching artistic maturity during the post-punk scene of the 1980s. From there
he navigated through the London sub-culture and placed his post-modern ballet
reduction in an artistic cosmos - biting social criticism working with
subversive humour, stark flaws and intellectual edge. Clark’s development
continued backwards from post-punk to modernism to neo-Classicism.
'Animal / Vegetable / Mineral' featured lighting design from
Charles Atlas, costumes by Stevie Stewart and songs by Scritti Politti, the Sex
Pistols, Pulp and Jarvis Cocker’s project Relaxed Muscle. The anarchic wit of
neo-classical punk was used to create a visually arresting dance experience.
Avant-garde fashion, pop music and visual art.
Hailed as “British dance’s true iconoclast”, Michael Clark
is a defining cultural figure. Since emerging in the 1980s as a prodigy at
London’s Royal Ballet School, he has remained at the forefront of innovation in
dance, collaborating with – among others – such compelling artists as Sarah
Lucas, Leigh Bowery, Peter Doig and Charles Atlas, and musicians Mark E. Smith,
Wire, Scritti Politti and Relaxed Muscle.
From the outset, Michael’s performances have been
marked by a mixture of technical rigour and experimentation, intense and
fine-tuned choreography intersecting with elements of punk, Dada, pop and rock.
His productions repeatedly break new ground, provoking and electrifying
audiences. As The Guardian noted of a recent performance at the Barbican,
London: “throughout the evening, the dancers’ prodigious command and affectless
efficiency make them look superhuman.”
Michael Clark founded his own company in 1984. It has since
toured worldwide to perform at leading houses in Europe, North America, Asia
and Australia, as well as on its home stage at the Barbican, where it has been
a resident company since 2005. Michael Clark Company has also introduced dance
to new audiences both by performing at unorthodox venues including the
legendary Barrowland Ballroom in Glasgow, the Turbine Hall at Tate Modern in
London and in the Whitney Biennial 2012 in New York where the company occupied
an entire floor for four weeks, and through Clark’s collaborations with leading
artists, fashion designers and musicians.
No comments:
Post a Comment